Sans Normal Ihbuh 3 is a regular weight, normal width, monoline, upright, normal x-height font visually similar to 'Grift' and 'Noche' by 38-lineart, 'Nicky Sans' by Digitype Studio, 'Heavitas Neue' by Graphite, 'Mazzard Soft' by Pepper Type, and 'TT Norms Pro' by TypeType (names referenced only for comparison).
Keywords: ui text, branding, headlines, signage, packaging, friendly, modern, clean, approachable, playful, friendliness, clarity, modernity, simplicity, versatility, rounded, geometric, soft, open, crisp.
A rounded geometric sans with consistently softened terminals and smooth, circular bowls. Strokes maintain an even color and a clean, monoline feel, with generous counters and open apertures that keep letters readable at a range of sizes. Uppercase forms are straightforward and stable, while the lowercase uses simple, single-storey constructions (notably the a and g) that emphasize clarity and friendliness. Numerals follow the same rounded logic, with uncomplicated shapes and a cohesive rhythm alongside the letters.
This font performs well in UI and product contexts where a clean, friendly sans is needed for labels, navigation, and short-form copy. It also suits contemporary branding and packaging, especially where rounded forms can reinforce approachability. In display sizes it produces a crisp, modern headline voice, and in environmental or wayfinding-style signage it remains clear thanks to its open counters and simple shapes.
The overall tone is warm and approachable—modern without feeling clinical. Its rounded corners and uncomplicated forms suggest an easygoing, slightly playful character that still reads as professional and tidy. The font feels well-suited to brands and interfaces aiming for friendliness, clarity, and calm confidence.
The design appears intended to deliver a contemporary geometric sans with softened edges—balancing modern simplicity with a welcoming tone. By relying on circle-based construction and rounded terminals, it aims for consistent rhythm and easy legibility while projecting a friendly, everyday usability.
Round joins and terminals give the face a soft, low-friction texture in text, avoiding sharp spikes or severe angles. Curved letters (C, G, S, O) look strongly circle-driven, contributing to a cohesive, geometric rhythm, while diagonals (V, W, Y) keep a smooth, moderated angle rather than aggressive points.