Sans Superellipse Ikmom 2 is a very bold, wide, low contrast, upright, normal x-height font visually similar to 'Francker' and 'Francker Paneuropean' by Linotype (names referenced only for comparison).
Keywords: headlines, posters, logos, packaging, sports branding, punchy, playful, retro, sporty, sturdy, impact, branding, display, compactness, geometric consistency, rounded, squarish, blocky, compact, soft corners.
A heavy, squared sans with rounded corners and a superellipse-like construction that makes curves feel cushiony rather than circular. Counters are tight and geometric, with a strong preference for blunt terminals, flat joins, and simplified interior shapes. The lowercase shows a largely single‑storey, utilitarian build, while diagonals (A, K, V, W, X, Y) are cut cleanly and feel stable. Overall rhythm is dense and poster-forward, with minimal modulation and consistent stroke behavior across straight and curved forms.
Best suited to large-scale applications where shape and weight are assets: headlines, posters, title cards, branding marks, and packaging. It can also work for short UI labels or signage when ample size and spacing are available, but is less ideal for long passages of text where the tight counters and dense color may reduce readability.
The tone is bold and friendly, combining a no-nonsense, industrial solidity with a playful softness from the rounded geometry. It reads as energetic and attention-grabbing, with a slightly retro, headline-driven personality that feels at home in loud, graphic environments.
The design appears intended to deliver maximum visual impact through compact, rounded-rectangular forms and simplified geometry, creating a strong, contemporary display voice with a friendly edge.
The squarish bowls and compact apertures give letters a strong silhouette and high ink presence, which helps impact at large sizes but can tighten spacing and internal clarity as size decreases. Numerals share the same rounded-rectangle logic, keeping the set visually cohesive for display use.