Distressed Idme 5 is a regular weight, very wide, medium contrast, upright, normal x-height, monospaced font.
Keywords: posters, book covers, title cards, packaging, zines, typewriter, vintage, gritty, analog, editorial, typewriter feel, aged print, grunge texture, period styling, worn, roughened, inked, blotchy, jagged.
A slab-serif typewriter design with broad, squarish proportions and a consistent mechanical rhythm. Strokes show noticeable roughening and slight wobble, with uneven edges and occasional ink-spread-like bulges that create a printed, imperfect silhouette. Serifs are sturdy and blocky, terminals are mostly blunt, and counters tend toward rounded rectangles with subtly irregular interiors. The overall construction feels structured and repeatable, but intentionally degraded, giving the face a textured, stamped look.
Well suited to display and short-to-medium text where a typewritten, weathered voice is desirable—such as posters, editorial headlines, book covers, album art, or packaging that wants a vintage print vibe. It can also work for themed UI labels, props, and mock documents where the distressed texture helps sell authenticity.
The font conveys an archival, document-like tone with a gritty, lived-in finish. Its distressed outlines and inky texture suggest photocopies, old receipts, or worn typewritten pages, balancing utilitarian clarity with a raw, analog character.
The design appears intended to merge the disciplined feel of a typewriter slab serif with a deliberately degraded print surface. By keeping the underlying letterforms stable and readable while adding rough edges and ink variation, it aims to evoke age, reproduction artifacts, and tactile printing.
Spacing and alignment emphasize a strict, gridlike cadence, while the distressing varies slightly from glyph to glyph, adding visual noise without collapsing the underlying forms. The numerals and caps are bold and sign-like, and the texture becomes more apparent at larger sizes where edge wear and ink artifacts read as deliberate styling.