Distressed Romav 1 is a bold, normal width, high contrast, upright, normal x-height font visually similar to 'AG Book Rounded W1G' by Berthold, 'Linear Grotesk' by Designova, 'Flaco' by Letter Edit, 'Arial Nova' by Monotype, 'NeoGram' by The Northern Block, and 'Nimbus Sans No. 5' by URW Type Foundry (names referenced only for comparison).
Keywords: posters, album art, event flyers, streetwear, packaging, grunge, hand-printed, raw, playful, rough, add texture, evoke printwear, handmade feel, headline impact, brushy, inked, weathered, textured, blotchy.
A heavy, all-caps-and-lowercase display face with compact proportions and rounded, simplified construction. Strokes are thick with noticeable internal counter variation and intermittent thinning, creating a high-ink/low-ink rhythm that reads like dry-brush or imperfect stamping. Edges are intentionally irregular and chipped, with occasional gouges and speckling inside bowls and along stems. Terminals tend to be blunt and slightly softened, and the overall texture is uneven but consistently applied across letters and numerals.
Best suited for short headlines, posters, and branding that benefits from a rough, tactile feel—such as music and nightlife promotions, streetwear graphics, skate or indie aesthetics, and bold packaging callouts. It can work in brief subheads or pull quotes, but the heavy texture is strongest when given space and size.
The font conveys a gritty, handmade energy—casual and mischievous rather than refined. Its distressed texture suggests worn print, DIY signage, or ink dragged across rough paper, giving headlines a rebellious, street-level tone.
The design appears intended to mimic bold hand-printed lettering with deliberate wear and ink breakup, delivering impact while maintaining legibility. The consistent distress pattern suggests a controlled “rough print” aesthetic aimed at expressive, theme-driven display typography.
The uppercase set feels blocky and punchy, while the lowercase keeps a similarly sturdy footprint, helping mixed-case text hold together at display sizes. The distressing is prominent enough to become a primary visual feature, especially in enclosed counters (e, o, p, 8, 9) where speckling and gaps add character.