Sans Normal Obkun 10 is a very bold, wide, low contrast, upright, normal x-height font visually similar to 'Siro' by Dharma Type, 'Famiar' by Mans Greback, and 'Scatio' by Wahyu and Sani Co. (names referenced only for comparison).
Keywords: headlines, posters, branding, packaging, signage, bold, confident, friendly, playful, retro, high impact, approachable display, graphic clarity, retro modern, rounded, blocky, soft corners, compact counters, heavy terminals.
This is a heavy, rounded sans with broad proportions and sturdy, uniform strokes. Curves are generously circular, while straight strokes end in blunt, squared terminals, creating a blocky-but-soft silhouette. Counters are relatively compact in letters like B, P, R, and e, and the joins and bowls feel tightly drawn, which increases darkness and punch. Uppercase forms are geometric and stable, while the lowercase keeps single-storey a and g with simple construction for clear, straightforward shapes. Numerals follow the same dense, rounded logic, with large bowls and minimal interior space.
Best suited to display applications such as headlines, posters, brand marks, packaging, and attention-grabbing signage where its dense strokes and rounded geometry can read as a deliberate style choice. It can also work for short subheads and callouts when strong typographic presence is needed.
The overall tone is assertive and high-impact while still feeling approachable due to the rounded geometry. It leans toward a contemporary retro feel—bold and energetic rather than formal—making text look confident and slightly playful.
The design appears intended to deliver maximum impact with a friendly, geometric voice—pairing substantial stroke weight with rounded forms to stay approachable. Its simplified lowercase and consistent, blunt terminals suggest a focus on clarity and strong graphic presence in display settings.
The weight and compact counters produce strong color on the page, especially in long lines of text, and the rhythm is driven by big curves and thick verticals. The design reads cleanly at large sizes, where the rounded forms and heavy terminals become a defining visual feature.