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Sans Normal Obduf 16 is a very bold, wide, low contrast, upright, tall x-height font visually similar to 'Siro' by Dharma Type, 'FF Clan' by FontFont, 'Calton' by LetterMaker, 'Robusta' by Tilde, and 'Eastman Grotesque' by Zetafonts (names referenced only for comparison).

Keywords: headlines, posters, logos, packaging, signage, confident, punchy, friendly, modern, sporty, impact, clarity, modernity, approachability, blocky, roundish, compact, high-impact, clean.


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A heavy, geometric sans with broad proportions and strongly filled-in shapes. Curves are smooth and fairly circular, while joins and terminals often feel squared or slightly chamfered, producing a sturdy, block-like silhouette. Counters are relatively tight (notably in B, 8, and 9), and the overall rhythm is dense and even, with minimal stroke modulation. The lowercase shows a single-storey a and g, simple construction, and sturdy verticals; the numerals are large, uniform, and designed to hold their shape at display sizes.

Best suited to headlines, posters, brand marks, and packaging where bold, compact letterforms need to carry across distance or compete with strong imagery. It also works well for signage and large UI moments like hero banners, badges, and feature callouts where clarity and impact matter more than airy readability.

The tone is assertive and energetic, with a friendly, approachable softness from the rounded curves. Its mass and compact spacing read as bold and unapologetic, lending a contemporary, sporty voice that feels direct and attention-seeking rather than delicate or editorial.

The letterforms appear designed to deliver maximum visual impact with a clean, geometric construction and a dense, stable typographic color. The emphasis is on solidity, simplicity, and immediate legibility at display sizes, with rounded geometry adding approachability to an otherwise forceful presence.

The design’s weight distribution and tight internal spaces favor short bursts of text; in longer settings the dense texture becomes prominent. Round letters (O, Q, 0) stay very full and stable, while diagonals (V, W, X, Y) remain thick and crisp, keeping a consistent, high-impact color across lines.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸