Sans Superellipse Enkiw 1 is a regular weight, wide, monoline, italic, normal x-height font.
Keywords: headlines, branding, sports, technology, ui, futuristic, technical, sleek, sporty, aerodynamic, modernize, convey speed, tech aesthetic, system cohesion, friendly precision, rounded corners, oblique, geometric, clean, streamlined.
A streamlined oblique sans with uniform stroke weight and a rounded-rectangle construction. Curves resolve into superelliptic bowls and squared-off terminals with generous corner radii, creating a soft-tech geometry rather than a purely circular one. Counters are open and orderly, proportions are on the extended side, and spacing feels even, supporting a smooth horizontal rhythm. Numerals and capitals follow the same rounded-corner logic, with simplified, engineered joins and consistent stroke endings.
Works best for short-to-medium display text where its oblique momentum and rounded-rect forms can read clearly—brand marks, product naming, posters, sports or automotive-style graphics, and technology-forward packaging. It can also suit UI titles, dashboards, and interface headings where a clean, engineered voice is desired, provided sizes are sufficient for the italicized forms.
The overall tone is modern and forward-leaning, with a distinctly technical, speed-oriented feel. Rounded corners temper the mechanical geometry, giving it a friendly, contemporary edge while still reading as precise and designed. It suggests motion, interface aesthetics, and performance branding rather than editorial tradition.
The design appears intended to deliver a contemporary, motion-driven sans that blends technical precision with softened corners. By building letters from rounded-rectangle curves and consistent strokes, it aims for a cohesive, futuristic system suitable for modern branding and digital contexts.
Diagonal strokes and joins are kept crisp, and many curves flatten slightly into straight segments before turning, reinforcing the superellipse motif. The oblique slant is consistent across cases and figures, helping headlines feel dynamic without becoming chaotic. Round letters like O/o and zero-like shapes remain clearly differentiated through proportion and interior geometry.