Serif Other Atti 6 is a very bold, wide, medium contrast, upright, normal x-height font visually similar to 'FS Koopman' by Fontsmith, 'Core Sans NR' by S-Core, 'Founder' and 'Founder Rounder' by Serebryakov, and 'Figgins Sans' and 'Figgins Standard' by Shinntype (names referenced only for comparison).
Keywords: posters, headlines, packaging, branding, children’s media, playful, friendly, retro, chunky, quirky, display impact, friendly tone, retro charm, decorative serif, rounded, soft corners, bulbous, organic, bouncy rhythm.
A heavy, rounded serif with soft, bulbous terminals and compact, cushioned counters. The forms lean on broad curves and gently sculpted joins rather than sharp corners, giving strokes a slightly blobby, hand-shaped feel while staying consistent and upright. Serifs read as short, curved nubs and flares that merge smoothly into stems, creating an even, poster-like color with lively width variation from letter to letter. Lowercase shapes are simple and sturdy, with single-storey-style construction in several letters and generous rounding throughout; numerals match the same inflated, friendly silhouette.
Well suited to attention-grabbing headlines, posters, and short statements where a friendly, retro voice is desired. It also fits packaging, menu headings, and logo/wordmark work that benefits from a soft, inviting serif presence and strong silhouette at larger sizes.
The overall tone is upbeat and approachable, with a retro cartoon warmth that feels cheerful rather than formal. Its soft serifs and inflated shapes give it a whimsical, slightly goofy personality suited to lighthearted messaging and bold, characterful branding.
The design appears intended to blend serif cues with a bubbly, decorative build—delivering the authority of a serif outline while keeping the mood casual and playful. It emphasizes recognizability and charm through rounded terminals, compact counters, and a lively, slightly uneven width rhythm.
The design prioritizes strong silhouette and softness over crisp detail, so it reads best where the rounded serifs and chunky curves can be appreciated. In dense settings the large black shapes and small interior spaces can start to close up, reinforcing its display-first nature.