Print Funoh 9 is a very bold, normal width, medium contrast, upright, normal x-height font visually similar to 'Akzidenz-Grotesk Next' by Berthold, 'Pragmatica' by ParaType, 'NeoGram' by The Northern Block, and 'Artico' by cretype (names referenced only for comparison).
Keywords: posters, headlines, packaging, kids, halloween, playful, rustic, quirky, spooky, handmade, handmade feel, playful impact, rustic texture, whimsical tone, chunky, rough-edged, organic, irregular, blunt.
A chunky, hand-drawn print face with heavy, uneven strokes and subtly jagged edges that mimic marker or brush lettering. Counters are generous and often slightly lopsided, giving the alphabet a lively, imperfect rhythm. Terminals tend to be blunt and torn-looking, with small notches and waviness that vary from letter to letter. Proportions are inconsistent by design—some capitals feel squat and others taller—creating a bouncy texture in words, while numerals match the same rugged, cutout-like weight.
Best suited to short, high-impact settings such as posters, event flyers, headlines, packaging, and labels where the handmade texture can be appreciated. It also fits children’s materials and seasonal or themed work (especially spooky or whimsical concepts), and can add character to signage or social graphics when used at medium-to-large sizes.
The overall tone is playful and mischievous, with a slightly eerie, storybook energy that can read as spooky or campy depending on context. Its deliberate roughness signals informality and a handcrafted personality rather than polish or restraint.
The design appears intended to capture the charm of hand-rendered lettering with an intentionally rough, irregular silhouette, prioritizing personality and immediacy over geometric consistency. It aims to deliver bold, friendly readability while retaining the grit and spontaneity of drawn strokes.
Spacing appears moderately open, helping the dense shapes stay readable, while the irregular outlines add visual noise that becomes more prominent as sizes get smaller. The face is most convincing when allowed to keep its natural wobble—tight tracking or overly long lines can make the texture feel busy.