Sans Superellipse Finuz 2 is a bold, very wide, low contrast, italic, tall x-height font visually similar to 'Neue Stance' by Jetsmax Studio (names referenced only for comparison).
Keywords: sports branding, tech branding, headlines, posters, logotypes, futuristic, sporty, technical, dynamic, confident, convey speed, modernize, signal tech, add impact, brand emphasis, rounded corners, oblique, extended, superelliptic, geometric.
This typeface is an oblique, extended sans with a superelliptic construction: curves resolve into rounded-rectangle bowls and corners rather than circular forms. Strokes are heavy and uniform with minimal modulation, and terminals are consistently softened, producing a sleek, molded look. The letterforms lean forward with a steady slant and wide set proportions, while counters are compact and squarish, maintaining strong color at text sizes. Numerals and capitals share the same rounded-corner geometry, and the overall rhythm is driven by long horizontals, broad shoulders, and clean, unbroken contours.
It’s well suited to display roles such as sports identities, automotive or esports graphics, tech-forward branding, and impactful headlines where its width and slant can communicate speed and presence. It can also work for short UI labels or packaging callouts when space allows, especially where a clean, engineered aesthetic is desired.
The design reads as contemporary and forward-leaning, with a distinctly fast, engineered tone. Its rounded-rect geometry gives it a modern tech feel, while the strong slant and wide stance add energy associated with performance branding and motion.
The font appears designed to combine geometric clarity with an aerodynamic, forward-leaning posture, delivering a modern sans that feels fast and industrial without becoming sharp or aggressive. The rounded-rectangle vocabulary suggests an intention to echo contemporary product design and interface geometry while maintaining strong, high-impact letterforms.
Many characters emphasize softened corners and flattened curves, creating a cohesive “superellipse” silhouette across both uppercase and lowercase. The wide proportions and tight inner spaces make it most striking when given generous tracking or used at larger sizes where the internal shapes can breathe.