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Serif Other Yife 12 is a very bold, wide, low contrast, upright, normal x-height font.

Keywords: posters, headlines, logotypes, packaging, editorial covers, art deco, stencil, modernist, dramatic, architectural, decorative display, stencil styling, retro modernism, high impact branding, geometric, modular, cutout, high impact, display.


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A geometric, modular serif display face built from solid, monoline strokes with frequent internal cutouts. Curves are rendered as large semicircular bowls and counters, while many joins and terminals are separated by narrow vertical or diagonal gaps that create a stencil-like construction. The letterforms lean on simple primitives (circles, rectangles, and triangles), producing a rigid rhythm and strong black shapes with crisp edges. Uppercase forms are especially architectural, and the lowercase follows the same split-stroke logic with rounded bowls and punctuating circular dots.

Best suited to large-scale typography where its cutout geometry and strong silhouettes can read clearly—posters, headlines, editorial covers, and brand marks. It can also add a distinctive Deco-stencil flavor to packaging, event graphics, and signage, especially when used with generous tracking and ample whitespace.

The overall tone is bold and theatrical, with a distinctly Art Deco and modernist poster sensibility. Its cutout construction suggests industrial signage and crafted stenciling, giving the font a retro-futurist, fashion-forward character. The strong geometry and exaggerated black shapes feel confident, stylized, and attention-seeking.

The design appears intended as a decorative serif display face that merges classical serif cues with a geometric, stencil-derived construction. Its purpose is to create instant visual identity through bold, simplified forms and repeated cutout detailing rather than to function as a quiet text workhorse.

The repeated use of separated strokes and cut counters is a defining motif across letters and numerals, creating a consistent "carved" effect. The shapes remain highly legible at headline sizes, but the narrow bridges and interior gaps become a key texture that will dominate at smaller sizes. Numerals and punctuation match the same modular logic, reinforcing a cohesive display system.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸