Sans Other Givy 8 is a very bold, wide, medium contrast, upright, normal x-height font.
Keywords: posters, headlines, logotypes, packaging, signage, art deco, stencil, geometric, dramatic, retro-futurist, display impact, stylized stencil, geometric system, poster voice, segmented, modular, angular, high-impact, display.
A heavy, geometric sans with a modular, stencil-like construction. Many forms are built from broad, flat strokes and near-circular bowls that are interrupted by consistent diagonal and vertical cuts, creating internal slits and separated counters. Curves are simplified into strong arcs and half-circles, while diagonals in letters like V, W, X, Y, and Z are emphasized by sharp wedge joins and repeated diagonal breaks. The overall texture is compact and blocky, with crisp edges, minimal stroke taper, and a distinctive rhythm created by the recurring cutouts.
Best suited to display typography: posters, headlines, album covers, event graphics, and brand marks that benefit from a bold, stylized voice. It can also work for packaging and signage where the carved, stencil-like detailing adds memorability. For editorial or UI text, it will perform better as short bursts (pull quotes, section headers) rather than continuous reading.
The segmented shapes evoke an Art Deco and poster-era sensibility with a modern, industrial twist. Its bold silhouette and carved-in breaks feel assertive and theatrical, suggesting signage, title cards, and stylized branding. The repeated slashes add a dynamic, engineered character that reads as retro-futurist and slightly enigmatic.
The design appears intended to fuse geometric sans foundations with a systematic stencil/segmented motif. By repeating a small set of diagonal and vertical cut shapes across the alphabet, it creates a distinctive visual signature while maintaining consistent weight and proportions. The goal seems to be high-impact display presence with a cohesive, decorative construction rather than neutral text utility.
Readability is strong at large sizes where the internal cuts become a defining graphic detail, but the stencil gaps and compressed counters can reduce clarity in longer passages or at small sizes. Round letters (O, Q, C, G) rely on bisecting cuts and simplified apertures, which reinforces the cohesive system but can make similar shapes feel closer in tone. Numerals follow the same segmented logic, supporting consistent headline and branding use.