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Free for Commercial Use

Sans Superellipse Hukun 6 is a very bold, narrow, medium contrast, upright, tall x-height font visually similar to 'Acumin' by Adobe, 'Akkordeon' by Emtype Foundry, 'ITC Machine' by ITC, 'Beni' by Nois, 'Goudar HL' by Stawix, and 'Lektorat' by TypeTogether (names referenced only for comparison).

Keywords: headlines, posters, sports branding, packaging, signage, assertive, condensed, industrial, sporty, poster-ready, impact, space-saving, bold display, brand punch, graphic uniformity, blocky, compact, rounded corners, high impact, tight apertures.


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A compact, heavy sans with tall proportions and a tightly condensed footprint. Strokes are uniformly thick with subtly softened, rounded-rectangle (superellipse) curves on bowls and counters, producing a blocky but not sharp-edged silhouette. The rhythm is vertical and steady, with narrow apertures and compact internal spaces that emphasize mass and solidity. Curved letters like C, O, and S read as squarish rounds, while diagonals in V, W, X, and Y are stout and deliberate; numerals follow the same dense, billboard-friendly construction.

Best suited to large-scale applications where density and punch are an advantage: headlines, posters, signage, and bold brand marks. It can also work on packaging or labels when you want a compact line length and a strong, industrial voice, while longer reading passages benefit from generous size and spacing.

The overall tone is forceful and utilitarian, with a confident, no-nonsense presence. Its compressed geometry and heavy color evoke athletic, industrial, and headline-driven aesthetics—more about impact than delicacy.

The design appears intended to deliver maximum visual impact in a condensed width while keeping forms friendly through softened, superelliptical rounding. It prioritizes a solid, uniform typographic color and clear vertical structure for attention-grabbing display settings.

Because counters are tight and joins are dense, the face builds a strong black texture in lines of text; at small sizes it can feel compact and dark, while at larger sizes it becomes a striking, graphic shape system. The rounded-rectangle logic stays consistent across caps, lowercase, and figures, helping the design feel cohesive despite the heavy weight.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸