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Sans Superellipse Ibgif 1 is a very bold, narrow, medium contrast, upright, tall x-height font visually similar to 'Muller Next' by Fontfabric, 'Arlen' by Groteskly Yours, 'Antry Sans' by Mans Greback, 'Hanz' by Santi Rey, and 'Amsi Pro' and 'Sans Beam' by Stawix (names referenced only for comparison).

Keywords: headlines, posters, logos, packaging, sports branding, poster, sporty, retro, punchy, playful, impact, space saving, approachability, brand presence, display clarity, blocky, condensed, rounded, soft corners, compact.


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A compact, heavy display sans built from rounded-rectangle geometry, with softened corners and subtly squared curves. Strokes are broadly uniform and visually dense, producing strong, dark word shapes with tight internal counters. Proportions are vertically emphatic, and the lowercase reads sturdy and tall, with simple, single‑storey forms and minimal ornament. The overall rhythm is slightly irregular from glyph to glyph, giving the alphabet a hand-cut, headline-oriented feel while remaining clean and sans in construction.

Best used at large sizes for headlines, posters, signage, and branding where impact and compact width matter. It can work well for logos, product packaging, badges, and athletic or event graphics, especially when you want a bold silhouette with friendly rounding. For longer passages, its dense color and tight counters are more effective in short bursts than extended body copy.

The tone is bold and energetic, leaning toward retro athletic and poster lettering. Its rounded corners keep the heaviness from feeling harsh, adding a friendly, slightly playful attitude. The condensed, high-impact shapes suggest urgency and confidence—well suited to attention-grabbing messaging rather than quiet reading.

The design appears intended to deliver maximum presence in minimal horizontal space, using rounded-rectangle construction to keep the voice approachable. It prioritizes bold silhouettes and quick recognition in display contexts, aiming for a retro-meets-modern utility that holds up in large, high-contrast applications.

In text settings the font creates strong horizontal bands of black, with limited interior whitespace and a compact texture. Rounded joins and squared curves stay consistent across letters and numerals, reinforcing a unified, superellipse-like look.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸