Sans Normal Utrin 1 is a regular weight, normal width, low contrast, italic, normal x-height font visually similar to 'CamingoDos SemiCondensed' by Jan Fromm, 'TheSans' by LucasFonts, and 'Adora Condensed PRO' by preussTYPE (names referenced only for comparison).
Keywords: ui labels, branding, posters, headlines, captions, modern, dynamic, clean, technical, confident, emphasis, legibility, contemporary, versatility, motion, oblique, monoline, open apertures, rounded terminals, compact caps.
This is an oblique sans with smooth, low-contrast strokes and a gently geometric construction. Curves are clean and broadly rounded, while joins and terminals stay crisp without decorative finishing. Uppercase forms are compact and sturdy, with straightforward diagonals in A, V, W, X, and Y, and round letters (C, G, O, Q) built from even elliptical bowls. Lowercase shows a practical, contemporary skeleton with open apertures and simple bowls; the overall spacing and rhythm read steady and utilitarian, supporting clear word shapes in running text.
It works well where a clean italic sans is needed for emphasis: interface labels, subheads, pull quotes, and short-to-medium passages. The steady stroke and open shapes also suit branding systems, posters, and marketing applications that want a modern, energetic slant without sacrificing clarity.
The tone is modern and energetic, with an understated, functional personality. Its slant adds motion and emphasis without becoming calligraphic, giving it a confident, contemporary feel suited to active messaging.
The design appears intended as a versatile oblique companion for contemporary sans typography, prioritizing legibility and even texture while adding forward motion through a consistent slant. Its restrained geometry and straightforward details suggest a focus on practical, general-purpose communication rather than stylistic ornament.
Numerals are clear and simply drawn, aligning visually with the letterforms and maintaining consistent stroke weight. The italics are achieved through a uniform oblique angle rather than dramatic cursive detailing, so the texture remains even in longer passages.