Sans Superellipse Ormak 10 is a very bold, very narrow, low contrast, upright, tall x-height font visually similar to 'ATF Alternate Gothic' by ATF Collection, 'Dean Gothic' by Blaze Type, 'Motel Xenia' by Fenotype, 'Neue Helvetica' by Linotype, 'Kuunari' and 'Kuunari Rounded' by Melvastype, 'NATRON' by Posterizer KG, and 'Heading Now' by Zetafonts (names referenced only for comparison).
Keywords: headlines, posters, branding, packaging, signage, assertive, industrial, condensed, impactful, modern, space saving, high impact, modern utility, headline emphasis, blocky, compact, monoline, rectilinear, rounded corners.
A condensed, heavy sans with compact proportions and a distinctly squared construction softened by rounded corners. Strokes are uniform and monolinear, with tight apertures and minimal internal whitespace that keeps counters small and punchy. Curves read as superellipse-like rounded rectangles rather than fully circular bowls, giving letters a blocky, engineered feel. The lowercase maintains strong verticality with short extenders and sturdy joins; figures are similarly compact, with squared silhouettes and rounded terminals that preserve a consistent rhythm across the set.
Best suited to headlines, posters, packaging, and bold branding where space is tight but strong presence is needed. It can also work well for signage and attention-grabbing UI labels, especially at medium to large sizes where the condensed rhythm and tight counters remain clear.
The overall tone is forceful and utilitarian, projecting confidence and urgency. Its compressed width and dense black shapes evoke poster typography and industrial labeling, leaning contemporary rather than decorative.
The design appears intended to deliver maximum impact in minimal horizontal space, using squared, rounded geometry and uniform stroke weight for a robust, contemporary voice.
Round letters (like O/C) appear more squarish than circular, and diagonals (such as in A/V/W/X) are kept broad and stable to avoid fragility. The punctuation shown in the sample text sits firmly in the same heavy, condensed system, supporting emphatic headlines and short bursts of copy.