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Free for Commercial Use

Sans Contrasted Puzo 4 is a very bold, narrow, high contrast, upright, tall x-height font visually similar to 'Dimensions' by Dharma Type, 'Fatbold Slim' by IKIIKOWRK, 'Blackbarry NF' by Nick's Fonts, 'Shtozer' by Pepper Type, 'Motte' by TypeClassHeroes, and 'Ravenda' by Typehand Studio (names referenced only for comparison).

Keywords: posters, headlines, branding, packaging, signage, industrial, condensed, authoritative, dramatic, retro, space saving, maximum impact, signage style, retro display, poster, display, compressed, ink-trap, grotesque.


Free for commercial use
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A condensed, all-caps-forward sans with extreme vertical emphasis and pronounced contrast between dominant stems and razor-thin interior joins. Many glyphs feature tight internal apertures and slit-like counters, with occasional pinched connections and notched or cut-in areas that read like built-in ink traps. Curves are compact and squared-off in feel, and terminals tend to be blunt, producing a dense, stacked texture and strong vertical rhythm. Numerals follow the same compressed, high-impact construction with compact bowls and narrow openings.

Best suited to display settings where its dense vertical rhythm and internal cut details can be appreciated—posters, large headlines, logotypes, packaging, and bold signage. It will be most effective with generous size and careful tracking to prevent counters from clogging in smaller applications.

The overall tone is forceful and utilitarian, with a slightly retro, machinery-and-signage flavor. Its compressed silhouettes and sharp internal cuts create a dramatic, high-impact voice suited to bold statements and attention-grabbing headings.

The design appears intended to maximize impact in a tight horizontal footprint, using condensed proportions and internal cut-ins to create a distinctive, high-contrast texture. It aims for a commanding, industrial display voice that remains structured and upright while adding character through narrow apertures and pinched joins.

Spacing appears tight and the dark massing is consistent across the set, so counters and interior slits become a key part of legibility. The most distinctive signature is the repeated use of extremely thin internal strokes and narrow openings that add texture at larger sizes but can close up quickly when reduced.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸