Sans Superellipse Sonuv 2 is a very bold, very narrow, medium contrast, upright, tall x-height font visually similar to 'Filler' by CarnokyType, 'Dimensions' by Dharma Type, 'Metro Block' by Ghozai Studio, 'Odradeck' by Harvester Type, and 'Sharka' by PeGGO Fonts (names referenced only for comparison).
Keywords: posters, headlines, logotypes, packaging, sports graphics, industrial, condensed, assertive, retro, headline, impact, space-saving, branding, distinctiveness, square-rounded, blocky, compact, vertical, stenciled cuts.
This typeface is built from tall, compressed forms with heavy, uniform strokes and rounded-rectangle (superellipse-like) counters. Curves are tightly controlled and corners are softly squared, giving round letters a boxy, engineered feel. Many glyphs feature deliberate vertical notches or slit-like cuts at joins and terminals, producing a segmented, stencil-adjacent texture without breaking the overall solidity. Spacing appears compact and the rhythm is strongly vertical, with narrow internal apertures and minimal interior air in letters like a, e, s, and g.
It performs best in display contexts such as posters, headlines, and impactful editorial titling where the compact width and heavy mass create strong emphasis. The industrial cut details also suit branding applications—logotypes, packaging, and event or sports graphics—where a distinctive, engineered texture helps differentiate short phrases.
The overall tone is forceful and industrial, mixing a utilitarian, poster-ready presence with a slightly retro display flavor. The repeated slit details add tension and a mechanical vibe, making the text feel branded and purposeful rather than neutral.
The design appears intended to deliver maximum impact in minimal horizontal space, pairing rounded-rectangular construction with purposeful incisions to create a recognizable, branded voice. Its consistent verticality and dense color suggest a focus on attention-grabbing display typography rather than extended reading.
Legibility is optimized for large sizes where the narrow counters and internal cuts read as intentional detailing; in smaller text, the dense interiors and tight apertures may darken quickly. Figures match the condensed, heavy style and keep consistent squarish roundness, supporting bold numeric messaging.