Sans Superellipse Pedum 7 is a very bold, narrow, low contrast, upright, normal x-height font visually similar to 'Diamante EF' by Elsner+Flake, 'Block Capitals' by K-Type, 'Evanston Tavern' by Kimmy Design, 'Diamante Serial' by SoftMaker, 'TS Diamante' by TypeShop Collection, 'Hockeynight Sans' by XTOPH, and 'Winner Sans' by sportsfonts (names referenced only for comparison).
Keywords: posters, headlines, packaging, signage, logos, industrial, stamped, playful, rugged, retro, high impact, handmade texture, compact display, signage tone, blocky, condensed, squared, rounded corners, soft corners.
A compact, heavy sans with tall proportions and rounded-rectangle (superellipse-like) bowls and counters. Strokes are broadly uniform with blunt terminals and subtly softened corners, giving the shapes a cut-out, poster-ready solidity. The outlines show a deliberately irregular, slightly wavy edge quality that adds a handmade, stamped feel without breaking legibility. Curves stay squarish and contained, and many joins feel tightened and angular, producing a dense, rhythmic texture in text.
Best suited to posters, big headlines, labels, packaging, and signage where a dense, punchy voice is needed. It can also work for logos or short brand phrases that benefit from a rugged, stamped character; for extended reading, larger sizes and generous spacing help maintain clarity.
The overall tone is bold, tough, and a bit mischievous—like hand-cut signage or a rubber-stamp alphabet. Its slightly uneven edges lend a human, DIY energy, while the compressed, blocky construction keeps it assertive and attention-grabbing.
Likely designed to deliver maximum impact in a compact footprint, combining superellipse-based geometry with a purposely imperfect, hand-made finish. The aim appears to be a bold display face that feels both structured and human, balancing rigid block forms with lively, irregular edges.
Uppercase forms read especially strong for headlines, with compact counters and squared bowls that hold up at large sizes. The lowercase keeps the same blocky logic and can look intentionally quirky in longer lines due to the irregular edge treatment and tight internal spaces.