Sans Faceted Ufpo 1 is a very bold, normal width, low contrast, upright, tall x-height font visually similar to 'Morgan Poster' by Feliciano, 'Noteworthy' by Gerald Gallo, and 'Device' by Hanken Design Co. (names referenced only for comparison).
Keywords: posters, headlines, sports branding, team graphics, signage, industrial, athletic, retro, assertive, technical, impact, durability, machined look, display clarity, sport aesthetic, octagonal, chamfered, blocky, stencil-like, condensed caps.
A heavy, all-caps-forward sans built from straight strokes and clipped corners, replacing curves with crisp planar facets. Forms are largely monolinear with squared terminals and frequent chamfers that create an octagonal silhouette in bowls and counters. The x-height reads tall and the lowercase is simplified and sturdy, closely echoing the uppercase structure for a uniform, mechanical rhythm. Counters are tight and geometric, with compact apertures and strong vertical emphasis that keeps words dense and punchy at display sizes.
Best suited for short, high-impact settings such as posters, headlines, sports and team graphics, packaging callouts, and bold signage. The faceted construction and tight counters read most confidently at medium-to-large sizes, where the angular detailing and compact rhythm stay clear and intentional.
The overall tone is tough and utilitarian, with a sporty, scoreboard-like bluntness. Its faceted geometry suggests engineered surfaces and cut metal, giving it a retro-industrial confidence that feels bold, direct, and slightly militaristic without ornamental flourish.
The design appears intended to deliver maximum visual force with a consistent, machined geometry, offering a modernized take on block lettering and athletic display styles. Its simplified lowercase and uniform angular vocabulary aim for fast recognition and strong presence in branding and titling.
The typeface maintains consistent corner treatment across letters and numerals, creating a cohesive, modular feel. Round letters like O/Q and the curves in S are rendered as stepped, angled segments, reinforcing the hard-edged texture in text lines. Numerals share the same clipped construction, supporting cohesive titling and numbering systems.