Sans Superellipse Jides 2 is a very bold, normal width, low contrast, upright, normal x-height font.
Keywords: headlines, posters, logos, game ui, packaging, techno, industrial, retro, game-like, utilitarian, impact, digital tone, modularity, signage, branding, blocky, squared, rounded corners, stencil-like, modular.
A heavy, block-built sans with squared, superellipse-inspired contours and consistently rounded corners. Strokes are thick and largely uniform, with counters formed as rectangular cutouts that stay open and crisp at display sizes. Many joins and terminals are clipped or notched, giving the glyphs a constructed, modular feel; diagonals appear sparingly and are kept sturdy and simplified. Overall spacing is compact and the rhythm is punchy, with slightly varied character widths that keep words from feeling fully monospaced while retaining a mechanical, grid-friendly structure.
Best suited to display typography: punchy headlines, poster titles, branding marks, and tech-leaning packaging where strong geometric silhouettes are an asset. It also fits game UI, sci‑fi interface graphics, and labels that need compact, high-impact letterforms. For long text, larger sizes and generous tracking help preserve clarity around the tight counters and notches.
The design reads as technical and industrial, with a retro digital flavor reminiscent of arcade, sci‑fi interface, and engineered signage aesthetics. Its squared geometry and deliberate notches add a tough, utilitarian tone that feels functional rather than decorative.
The font appears designed to deliver maximum impact with a modular, rounded-rectangle construction that stays consistent across letters and numbers. Its clipped terminals and squared counters suggest an intention to evoke engineered, digital-era forms while remaining clean and readable in bold display contexts.
Distinctive rectangular counters and inset cuts help differentiate similar shapes, and the numerals follow the same squared logic for a cohesive alphanumeric texture. The bold massing and tight apertures favor short headlines and large settings where the internal shapes can breathe.