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Free for Commercial Use

Sans Contrasted Undi 2 is a very bold, normal width, high contrast, upright, normal x-height font visually similar to 'Mothem' by Gerobuck (names referenced only for comparison).

Keywords: posters, headlines, branding, signage, packaging, confident, industrial, headline, vintage, authoritative, impact, density, poster use, brand presence, clarity at size, blocky, condensed feel, tight apertures, vertical stress, ink-trap feel.


Free for commercial use
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A heavy, compact display face with sharply cut terminals and pronounced stroke modulation that creates a chiseled, poster-like texture. The letterforms favor vertical stems with narrow internal counters and tight apertures, giving lines of text a dense, rhythmic color. Curves are firm and controlled rather than soft, and many joins and endings appear squared or slightly notched, reinforcing a constructed, engineered silhouette. Numerals and capitals read particularly strong, with simplified geometry and weighty tops and bottoms that help anchor the baseline and cap line.

Well suited to posters, headlines, mastheads, and bold branding where maximum impact is needed. It can also work for signage and packaging fronts where compact letterforms and strong contrast help text hold its shape at a distance. For paragraphs or small captions, the dense counters may call for increased tracking and leading.

The overall tone is assertive and utilitarian, with a subtle vintage poster and editorial punch. Its dense shapes and sculpted contrasts suggest seriousness and impact, leaning more toward signage and statement typography than casual conversation. The texture feels robust and workmanlike, suited to bold messaging.

The design appears intended as a forceful display typeface that delivers high-impact readability through compact proportions and sculpted stroke contrast. Its crisp cuts and squared terminals aim to create a distinctive, industrial-leaning voice that stands out in titles and short blocks of copy.

In longer settings the tight counters and strong dark mass can reduce whitespace, so it reads best when given generous size and breathing room. The distinctive cut-ins and squared endings add character that becomes more apparent at larger display sizes.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸