Sans Superellipse Sorid 1 is a very bold, normal width, high contrast, upright, normal x-height font visually similar to 'Monterra' by ActiveSphere and 'Protura' by MIX.Jpg (names referenced only for comparison).
Keywords: posters, headlines, sports branding, packaging, signage, industrial, assertive, retro, sporty, sturdy, impact, compactness, modular geometry, bold display, condensed feel, boxy, squared, rounded corners, ink-trap hint.
A compact, heavy sans built from squared-off, rounded-rectangle forms with tight internal counters and a strong vertical stance. Strokes are predominantly straight and planar with softened corners, producing a rigid, engineered silhouette; curves resolve into flattened bowls and squared terminals rather than fully circular arcs. Openings and notches in letters like C/S and the joins in n/m show crisp cut-ins that sharpen the rhythm, while counters in O/Q and 0 read as tall, rounded rectangles. Overall spacing is economical and the shapes lock together in blocks, giving words a dense, poster-like texture.
Best suited to short, high-impact text such as posters, headlines, sports and event branding, product packaging, and wayfinding or label-style signage. Its dense silhouettes hold up well at large sizes where the geometric details and squared counters remain clear.
The font projects a tough, workmanlike confidence with a slightly vintage, athletic edge. Its squared geometry and compact apertures evoke machinery, signage, and bold display systems rather than casual or delicate contexts.
The design appears intended to deliver maximum visual punch through compact, modular letterforms and squared, rounded geometry, optimizing for bold, attention-grabbing display use. The consistent superelliptical construction suggests an aim for a cohesive, industrial voice across letters and numerals.
Lowercase forms keep the same boxy logic as the capitals, with single-storey a and g and a squared, sturdy s; digits are similarly squared and substantial, with the 2 and 3 showing prominent horizontal platforms. The Q’s tail is minimal and integrated, preserving the overall block rhythm.