Sans Rounded Fyme 2 is a regular weight, normal width, monoline, upright, normal x-height font.
Keywords: ui labels, app branding, tech posters, gaming, headlines, techy, futuristic, playful, clean, friendly, digital tone, modern branding, friendly tech, display clarity, rounded, geometric, squared, modular, soft corners.
A rounded, monoline sans with a geometric, slightly modular construction. Strokes maintain consistent thickness and terminate in softened corners, often forming squared-off bowls and counters. Curves are minimal and controlled, with many forms built from straight segments and radiused joins; several glyphs use rounded-rectangle interiors (notably in B, O, P, R, 0). The overall spacing feels even and the rhythm is steady, while distinctive details—like the angular K and X, the U-shaped lowercase m/n, and the open, segmented C/S—give the design a purpose-built, display-forward character.
Best suited for headlines, logos, interface labels, and short bursts of text where its rounded-square construction can be appreciated. It works well in technology, gaming, and product contexts, and can add a modern, digital accent to packaging or event graphics; for extended body copy, its stylization is likely most comfortable at moderate-to-large sizes.
The tone reads contemporary and tech-oriented, with a mild sci‑fi flavor driven by its rounded-square geometry. Despite the futuristic cues, the softened terminals and open shapes keep it approachable and slightly playful, avoiding a harsh industrial feel.
The font appears designed to blend modern legibility with a distinctive rounded-tech geometry, creating a clear, system-like voice without feeling cold. Its consistent stroke and softened corners suggest an intention to perform cleanly in contemporary screen-forward branding and display applications.
The design leans on recognizable silhouettes but introduces stylized breaks and squared counters that make it more distinctive at larger sizes. Numerals follow the same rounded-rectangular logic, with simple, legible constructions and minimal stroke contrast.