Sans Superellipse Liva 11 is a regular weight, normal width, monoline, upright, normal x-height, monospaced font.
Keywords: ui labels, dashboards, signage, coding, packaging, techy, utilitarian, retro-futurist, industrial, systematic, clarity, system design, technical tone, grid compatibility, modern utility, rounded corners, squared curves, boxy, geometric, modular.
A geometric sans built from rounded-rectangle and superellipse-like forms, with a consistent monoline stroke and softened corners throughout. Letters favor squared bowls and counters (notably in C, G, O, Q, and a), producing a compact, modular silhouette and an even color on the page. Curves are controlled and nearly rectilinear, while joins and terminals stay uniformly rounded, giving the design a clean, engineered rhythm. Numerals echo the same boxy-round construction, with open, legible shapes and minimal optical fuss.
Well-suited to interface labels, dashboards, tables, and other grid-based typography where consistent spacing and a steady texture matter. The rounded-square construction also works well for wayfinding, product labeling, packaging, and tech branding that benefits from a clean, modular voice. In longer passages it keeps an even cadence, making it useful for concise UI copy, captions, and technical notes.
The overall tone feels technical and orderly, with a subtle retro-digital flavor. Its rounded-square geometry reads as friendly enough for modern UI while still projecting a utilitarian, instrument-label confidence. The consistent rhythm and closed, modular forms lend it a schematic, device-forward character.
The design appears intended to translate a rounded-rectangular, industrial geometry into a practical text face with consistent rhythm and clear differentiation. Its controlled curves, uniform stroke, and modular shapes suggest a focus on predictability and a device-like visual language rather than expressive calligraphy.
Distinctive features include a single-storey “a,” a compact “e” with a squared aperture, and a “Q” with a small, integrated tail. Uppercase forms are tall and disciplined, and the punctuation shown (including the exclamation point) matches the same rounded-rectilinear logic for a cohesive texture in text.