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Sans Normal Ipdek 4 is a very bold, wide, low contrast, upright, tall x-height font visually similar to 'CF Asty' by Fonts.GR; 'Avenir Next Cyrillic', 'Avenir Next Paneuropean', and 'Avenir Next Thai' by Linotype; 'TT Norms Pro' by TypeType; 'Clarika Pro' by Wild Edge; and 'Codec Pro' by Zetafonts (names referenced only for comparison).

Keywords: headlines, posters, packaging, kids, branding, playful, chunky, friendly, cartoonish, cheerful, display impact, friendly tone, playfulness, handmade feel, rounded, soft corners, bulbous, bouncy, heavy.


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A heavy, rounded sans with broad, blobby strokes and softened corners throughout. Curves dominate the construction, with circular counters and generous interior space in letters like O, P, and e, while joins and terminals often appear slightly pinched or uneven, giving the outlines a hand-cut, organic feel. Proportions lean wide with a tall x-height, compact ascenders, and short, sturdy descenders, producing a dense, high-impact texture in text. The baseline rhythm is stable but the stroke edges feel gently irregular, which adds liveliness without turning into true script or brush behavior.

Best suited to short, bold statements such as headlines, posters, logo lockups, packaging, and playful branding where a friendly, high-impact presence is needed. It can work in UI or signage for informal contexts, but is more effective in larger sizes than in extended body copy.

The overall tone is playful and approachable, with a toy-like, cartoon headline energy. Its soft geometry and extra weight read as friendly and informal, suggesting humor and lighthearted messaging rather than seriousness or restraint.

The design appears intended to deliver maximum impact with a friendly, rounded personality—combining simple sans structures with inflated forms and subtly irregular edges to feel energetic and handmade. Its emphasis is on approachability and strong display presence rather than typographic neutrality.

In the sample text, the dense weight and wide set create strong word shapes, but the bouncy, slightly irregular contouring makes long passages feel busy; it performs best when given ample tracking and line spacing. Numerals and punctuation carry the same rounded, chunky logic, helping maintain a consistent voice across display settings.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸