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Sans Rounded Efke 6 is a bold, normal width, monoline, upright, normal x-height font visually similar to 'Chankfurter' by Chank, 'Pantograph' by Colophon Foundry, 'Hanley Pro' by District 62 Studio, and 'Signal' by URW Type Foundry (names referenced only for comparison).

Keywords: headlines, branding, packaging, posters, children's media, friendly, playful, approachable, soft, casual, soften tone, add warmth, increase impact, boost friendliness, rounded, chunky, bubbly, smooth, geometric.


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A heavy, rounded sans with monoline construction and generously softened corners throughout. The letterforms are compact and sturdy, with wide curves, large bowls, and minimal stroke modulation, producing an even, solid color in text. Counters are relatively open for the weight, and terminals tend to resolve into fully rounded ends rather than flat cuts, giving shapes like C, S, and J a continuous, pill-like flow. Lowercase forms follow simple, single-storey structures where applicable, with short ascenders/descenders and a steady, rhythmic spacing that reads clearly at display sizes.

This font is well suited to headlines, logos, and brand marks that want a friendly, rounded voice. It works particularly well for packaging, posters, social graphics, and children’s or family-oriented media where softness and approachability are priorities. In UI or signage, it can be effective for prominent labels and buttons when set with ample size and spacing.

The overall tone is warm and informal, with a buoyant, kid-friendly softness that feels contemporary and welcoming. Its rounded geometry and dense weight lend it a cheerful, reassuring personality suited to lighthearted or upbeat messaging rather than formal editorial settings.

The design appears intended to deliver a bold, approachable sans voice by emphasizing rounded terminals, simplified constructions, and an even, monoline texture. It prioritizes friendliness and visual impact, aiming for clear shapes and a smooth, playful rhythm in display typography.

Numbers share the same rounded, chunky construction and feel visually consistent with the letters, making mixed alphanumeric settings cohesive. The bold massing and smooth joins create strong legibility at larger sizes, while the tight internal spaces suggest more comfortable use in headlines and short bursts of copy than in long, small-size paragraphs.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸