Sans Superellipse Otrar 7 is a bold, normal width, monoline, upright, normal x-height font visually similar to 'Cybersport' by Anton Kokoshka, 'Plasma' by Corradine Fonts, 'Mercurial' by Grype, 'Core Sans M' by S-Core, 'Boxed' and 'Boxed Round' by Tipo Pèpel, and 'Quan Geometric' and 'Quan Pro' by Typesketchbook (names referenced only for comparison).
Keywords: headlines, posters, branding, packaging, signage, industrial, technical, sporty, sturdy, modern, robust display, geometric clarity, industrial tone, systematic rhythm, octagonal corners, squared curves, compact, blocky, high contrast openings.
A heavy, geometric sans built from squared curves and superellipse-like bowls, with consistently thick strokes and crisp, chamfered corners. Curves resolve into rounded-rectangle forms rather than true circles, giving letters like C, G, O, and Q a subtly octagonal silhouette. Terminals are flat and decisive, counters are fairly open for the weight, and the overall spacing reads even and compact with a steady, modular rhythm across caps, lowercase, and numerals.
This style performs best in short to medium-length settings where its blocky geometry can read as a deliberate voice—headlines, identity marks, packaging, and wayfinding or environmental signage. It also suits product UI labels and dashboards where a technical, industrial tone is desirable and large sizes can show off the distinctive squared curves.
The tone is confident and utilitarian, with an engineered, no-nonsense feel. Its squared rounding adds a sporty, equipment-like character that suggests durability and precision rather than softness or elegance.
The design appears intended to blend geometric clarity with a softened, superelliptic rounding—achieving a robust, contemporary look that feels engineered and highly legible at display sizes. The consistent stroke weight and clipped corners suggest a focus on strong silhouette recognition and a cohesive, system-like texture across the set.
Distinctive details include the clipped outer corners on many round letters and the angular hook and leg treatments that keep diagonals and joins feeling mechanical. Numerals follow the same rounded-rectangle logic, with a particularly squared 0 and sturdy, sign-like figures that match the caps’ presence.