Sans Superellipse Tegot 2 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'PF DIN Text' by Parachute, 'Aaux Next Cond' by Positype, 'PTL Notes Soft' by Primetype, 'Lyu Lin' by Stefan Stoychev, 'Pulse JP' and 'Pulse JP Arabic' by jpFonts, and 'Leubner' by words+pictures (names referenced only for comparison).
Keywords: posters, headlines, signage, packaging, labels, stencil, industrial, rugged, utilitarian, military, stenciled look, display impact, industrial tone, graphic texture, rounded corners, ink-trap feel, notched, cutout, chunky.
A heavy, blocky sans with rounded-rectangle construction and broad, low-contrast strokes. Many letters include deliberate internal cutouts and breaks—especially in round and enclosed forms—creating a stencil-like continuity that keeps counters open. Corners are generally softened rather than sharp, and terminals often end with squared edges that feel mechanically cut. Spacing and proportions read sturdy and compact, with a slightly irregular rhythm caused by the recurring notches and gaps.
This font suits bold headlines, posters, and display settings where the stencil texture can contribute to the message. It works well for signage, labels, and packaging that benefit from an industrial or utilitarian look, and for branding elements that want a rugged, stamped/marked aesthetic.
The overall tone is industrial and utilitarian, with a rugged, workmanlike presence. The stencil breaks add a coded, tactical flavor that can feel military, shipping-crate, or DIY/handmarked, while the rounded geometry keeps it friendly enough to avoid looking harsh or aggressive.
The design appears intended to merge a rounded, geometric sans foundation with purposeful stencil breaks for high-impact display use. The consistent cutout system suggests an aim to create a recognizable, repeatable texture across letters and numerals while maintaining strong, readable silhouettes at larger sizes.
Round letters such as O, Q, and 0 emphasize the stencil construction with prominent interior bridges, and the same motif carries into numerals, reinforcing a consistent system. In text, the cutouts become a strong texture, so the face reads best when that pattern is intended as a graphic feature rather than a subtle detail.