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Free for Commercial Use

Sans Superellipse Suha 10 is a very bold, narrow, medium contrast, upright, normal x-height font visually similar to 'Bricked' by Cristian Mielu, 'Enza' by Neo Type Foundry, 'Shtozer' by Pepper Type, 'IRON MAN OF WAR' by The Fontry, and 'Nuclear Standard' by Zang-O-Fonts (names referenced only for comparison).

Keywords: posters, headlines, branding, packaging, signage, industrial, retro, assertive, condensed, display, impact, space saving, headline clarity, geometric styling, tall, blocky, rounded corners, caps-friendly, high impact.


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A tall, tightly proportioned sans with heavy vertical stems and rounded-rectangle (superellipse) geometry throughout. Curves are built from squarish bowls and softened corners, giving rounds like O/C/G a compact, engineered feel rather than a true circle. Terminals are mostly blunt and squared-off with subtle rounding, while counters stay relatively narrow and vertical, reinforcing a dense, poster-like texture. The lowercase follows the same condensed construction with sturdy ascenders/descenders and simple, utilitarian shapes; numerals match the set’s upright, compressed rhythm with uniform stroke weight emphasis on verticals.

This font is best suited to short, high-impact text such as posters, headlines, event titles, and bold brand marks. It also works well on packaging and signage where condensed width helps fit more characters without losing presence. For long passages, it’s likely to be most comfortable at larger sizes where the tight counters and condensed forms have room to breathe.

The overall tone is bold and no-nonsense, combining industrial solidity with a vintage headline flavor. Its compressed stance and squared curves project urgency and authority, reading as confident and slightly theatrical without becoming ornamental.

The design appears intended as a powerful condensed display sans that merges pragmatic, industrial structure with rounded-rectangle softness for a distinctive silhouette. It prioritizes strong vertical emphasis, compact word shapes, and consistent geometric construction to deliver attention-grabbing typography in limited horizontal space.

Spacing and internal apertures are kept tight, creating strong word shapes and a dark, continuous typographic color. The design’s reliance on verticals and rounded-rectangle bowls produces a consistent, mechanical rhythm that stays coherent across letters and figures.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸