Sans Superellipse Okmit 9 is a bold, narrow, low contrast, upright, normal x-height font visually similar to 'AG Bambook' by Alexandr Galuzin, 'Bebas Neue Pro' by Dharma Type, 'Neusa Neu' by Inhouse Type, and 'SK Merih' by Salih Kizilkaya (names referenced only for comparison).
Keywords: headlines, posters, packaging, signage, branding, industrial, utilitarian, compact, modern, friendly, impact, clarity, compactness, softened geometry, modern utility, rounded, squared, monoline, condensed, soft corners.
A compact, heavy sans with rounded-rectangle construction and consistently softened corners. Strokes are monoline and uniform, with tight counters and short apertures that create a dense, efficient texture in text. Curves tend toward superellipse shapes (notably in C, G, O, and 0), while straight-sided letters like H, N, and U keep a clean, vertical rhythm. Terminals are blunt and rounded, and joins are sturdy, giving the design a stable, engineered feel at display sizes.
Well-suited to headlines and short blocks of text where a dense, high-impact texture is desirable. The compact, rounded-rect silhouette works well for branding, packaging, wayfinding, and UI labels that benefit from strong presence without sharp corners.
The overall tone is modern and utilitarian with a softened, approachable edge. Its compact proportions and sturdy forms suggest practicality and signage-like clarity, while the rounded geometry keeps it from feeling harsh or overly technical.
The design appears intended to merge industrial sturdiness with rounded, contemporary geometry—delivering a compact display sans that reads confidently in large sizes and maintains a consistent, system-like rhythm across letters and numbers.
Uppercase forms are especially uniform and architectural, with rounded interior corners in letters like B and D. Lowercase maintains the same blocky-soft logic, producing a consistent voice across cases. Numerals follow the same squared-round geometry, with clear differentiation and a strong, poster-ready presence.