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Sans Superellipse Pynoh 5 is a bold, narrow, low contrast, upright, normal x-height font visually similar to 'Knockout' by Hoefler & Co., 'Etrusco Now' by Italiantype, 'Vinila' by Plau, 'Ordina' by Schriftlabor, and 'Breuer Condensed' by TypeTrust (names referenced only for comparison).

Keywords: headlines, posters, packaging, signage, branding, utilitarian, modern, industrial, authoritative, neutral, space saving, high impact, clarity, modern utility, condensed, compact, monoline, rounded corners, vertical stress.


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A compact sans with tall proportions and a dense, vertical rhythm. Strokes are consistently heavy and largely monoline, with softened corners and subtly squared curves that give round letters a superellipse feel. Counters are relatively tight, terminals tend toward flat cuts, and joins stay clean and straightforward, producing a crisp, no-nonsense texture in both caps and lowercase. The lowercase maintains a familiar structure with sturdy stems and simple bowls, while numerals are sturdy and even in color, matching the overall condensed cadence.

Well-suited to headlines, short blocks of copy, and display settings where a compact footprint and strong presence are desirable. It can work effectively in signage and labeling, and in branding contexts that call for a modern, utilitarian voice. For longer reading, it will perform best with generous line spacing and comfortable letterspacing due to its dense texture.

The overall tone is pragmatic and contemporary, leaning industrial and workmanlike rather than expressive. Its compactness and sturdy construction read as confident and direct, with a slightly engineered character from the rounded-rectangle curvature.

The design appears intended to deliver a space-efficient, high-impact sans for contemporary communication, combining sturdy monoline construction with softened, superellipse-like curvature to stay clean and modern while retaining warmth at the edges.

In text, the tight apertures and condensed spacing create a solid typographic “bar” that holds together well at larger sizes, while the softened corners keep the weight from feeling overly harsh. The design’s uniform stroke behavior and restrained detailing prioritize consistency and impact over calligraphic nuance.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸