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Sans Superellipse Ukreg 3 is a very bold, narrow, monoline, upright, tall x-height font visually similar to 'Headlined Solid' by HyperFluro, 'Duotone' by Match & Kerosene, 'Grand' by North Type, 'Hornsea FC' by Studio Fat Cat, and 'Winner Sans' by sportsfonts (names referenced only for comparison).

Keywords: posters, headlines, sports branding, packaging, signage, industrial, sports, poster, impactful, modern, space saving, high impact, branding, utility, condensed, blocky, squared, rounded corners, compact spacing.


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A dense, condensed sans with heavy, uniform strokes and a squared, superelliptical construction. Curves are rendered as rounded-rectangle corners rather than true circles, producing boxy counters and compact apertures. Terminals are blunt and flat, with minimal contrast and a strong vertical emphasis; bowls and shoulders stay tight, and joins feel sturdy and engineered. The lowercase follows the same compressed geometry, with simple, rectangular dots and interior counters that remain small but clear at display sizes.

Best suited to short, high-visibility text such as posters, headlines, sports identities, labels, and punchy promotional copy where tight width and strong presence are advantages. It can also work for signage or wayfinding in contexts that want a compact, industrial look, but it is less appropriate for long-form text due to its dense color and narrow proportions.

The overall tone is forceful and utilitarian, with a contemporary, industrial edge. Its compact, block-like shapes read as assertive and disciplined, suggesting athletic branding, machinery, and high-impact messaging rather than softness or refinement.

The design appears intended to deliver maximum impact in minimal horizontal space through a compact, squared geometry and uniform stroke weight. The rounded-rectangle shaping keeps the forms modern and cohesive while maintaining a tough, functional personality for display typography.

The figures and capitals feel especially rigid and modular, with rounded-square interior spaces that keep the texture consistent across lines. In longer samples, the condensed rhythm creates a solid typographic wall that favors bold headlines over relaxed reading.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸