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Sans Superellipse Ukreg 1 is a very bold, very narrow, low contrast, upright, tall x-height font visually similar to 'XXII DONT MESS WITH VIKINGS' by Doubletwo Studios, 'Akkordeon' by Emtype Foundry, 'Tungsten' by Hoefler & Co., 'Compacta' by ITC, 'Compacta MT' by Monotype, 'Compacta SB' and 'Compacta SH' by Scangraphic Digital Type Collection, and 'Winner Sans' by sportsfonts (names referenced only for comparison).

Keywords: headlines, posters, signage, branding, sports, industrial, poster, authoritative, compressed, retro, impact, space-saving, bold branding, retro utility, blocky, condensed, squared, rounded corners, monoline.


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A heavy, condensed sans with monoline strokes and squared, rounded-rectangle construction. Curves resolve into softened corners and superellipse-like bowls, giving counters a compact, rectangular feel. Terminals are blunt and flat, with minimal modulation and tight internal apertures; spacing is firm and rhythmically even, producing a dense, vertical texture. The lowercase echoes the uppercase’s architecture with a tall x-height and simplified forms, while numerals follow the same sturdy, squared-off logic for consistent color in lines of text.

Best suited to headlines and short-form display settings where density and impact are desirable, such as posters, signage, packaging, and bold brand marks. It also fits sports or industrial-themed graphics where a strong, compressed voice helps maximize presence in limited horizontal space.

The overall tone is bold, no-nonsense, and attention-grabbing, with a utilitarian, industrial flavor. Its compressed proportions and blocky shapes evoke classic display typography used for headlines, signage, and impact-driven messaging. The softened corners keep it from feeling harsh, adding a slightly retro, engineered character.

The design appears intended to deliver maximum impact in a compact width while maintaining a cohesive, squared-yet-rounded construction. Its simplified geometry and blunt terminals prioritize strong silhouette and consistent texture for assertive display typography.

In longer samples the tight apertures and dense fit create strong word-shapes but can reduce fine-detail legibility at smaller sizes. The design favors straight stems and compact curves, with distinctive, squared counters that emphasize a robust, stamped look.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸