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Free for Commercial Use

Serif Flared Tyba 11 is a bold, normal width, monoline, upright, tall x-height font visually similar to 'Ausion' by Andfonts, 'Hoektand' by Frantic Disorder, 'Bergen Text' by Mindburger Studio, 'Duty' by T-26, 'TT Norms Pro' by TypeType, and 'Klein' by Zetafonts (names referenced only for comparison).

Keywords: headlines, editorial, branding, posters, packaging, classic, authoritative, stately, warm, display impact, classic tone, readable density, craft warmth, bracketed, flared, oldstyle, tight fit, high contrast.


Free for commercial use
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A bold serif with compact proportions and a strong vertical emphasis, featuring softly flared stroke endings and bracketed serifs that create a carved, slightly calligraphic feel. Curves are full and controlled, with clear thick–thin modulation and sturdy joins that keep counters open at display sizes. The lowercase shows a tall x-height and short extenders, producing dense, economical word shapes, while capitals are broad-shouldered and evenly weighted. Numerals are robust and slightly varied in width, matching the type’s heavy, editorial color.

Best used for headlines, subheads, and short editorial blocks where its dense weight and flared detailing can be appreciated. It also fits branding and packaging that need a classic, trustworthy voice with a touch of craft. For longer passages, it will likely perform best with generous size and leading to avoid an overly dark page color.

The overall tone is traditional and confident, blending bookish familiarity with a refined, crafted warmth. Its flared terminals and generous curves lend a subtly humanist character that feels established rather than mechanical, suited to messaging that aims to sound credible and composed.

The design appears intended to deliver a strong, readable display serif that nods to traditional printing and inscriptional forms while staying modern in its compact proportions. Its flared terminals and bracketed serifs aim to add warmth and refinement to a bold, attention-holding texture.

Spacing reads fairly tight in the sample text, creating a dark, continuous texture that favors larger sizes. The design’s flared endings and pronounced curves help prevent the heaviness from feeling blunt, and the ampersand and punctuation maintain the same sturdy, classic rhythm as the letterforms.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸