Sans Superellipse Hakol 1 is a bold, normal width, monoline, upright, normal x-height font visually similar to 'ATF Poster Gothic' by ATF Collection, 'Evanston Tavern' by Kimmy Design, and 'Winner Sans' by sportsfonts (names referenced only for comparison).
Keywords: headlines, branding, posters, ui labels, wayfinding, tech, industrial, futuristic, signage, robust, impact, modernize, systematize, signal clarity, add edge, squared, rounded, modular, geometric, compact.
This typeface is built from sturdy, squared silhouettes softened by generous corner rounding, producing a superellipse-like geometry throughout. Strokes are consistently heavy and even, with compact counters and a generally tight, efficient footprint. Curves tend to resolve into rounded-rectangle bowls rather than circular forms, while diagonals (as in A, V, W, X, Y) stay crisp and angular. Terminals are predominantly blunt and squared-off, giving the alphabet a modular, engineered rhythm that remains highly consistent from capitals to numerals.
It suits bold headlines, product branding, and poster typography where an industrial, tech-forward voice is desired. The compact, squared forms also work well for UI labels, interface headings, and wayfinding or signage applications that benefit from strong, blocky lettershapes.
The overall tone feels technical and utilitarian, with a contemporary, equipment-label confidence. Its squared rounding reads as modern and controlled rather than friendly, suggesting precision, durability, and a slightly futuristic edge.
The design appears intended to deliver a modern, engineered sans with rounded-square construction, prioritizing impact and a cohesive geometric system over softness or traditional text warmth. Its consistent stroke and modular curves aim for a clean, contemporary presence across letters and numerals.
Many letters favor closed, boxy counters (notably in B, D, O, P, R) and simplified joins, reinforcing a constructed, system-like look. The lowercase follows the same geometric logic, with single-storey forms and minimal calligraphic influence, keeping the texture uniform in all-caps and mixed-case settings.