Sans Superellipse Embuk 8 is a regular weight, normal width, low contrast, italic, normal x-height font visually similar to 'Altersan' by Eko Bimantara, 'Prelo Pro' by Monotype, and 'Scansky' by Satori TF (names referenced only for comparison).
Keywords: ui design, product design, wayfinding, dashboards, data display, modern, technical, clean, dynamic, efficient, contemporary ui, geometric clarity, dynamic tone, approachable tech, oblique, rounded, geometric, streamlined, neutral.
A slanted, geometric sans with rounded-rectangle construction and smooth, superellipse-like curves. Strokes stay even and monolinear, with firm terminals and gently softened corners that keep the texture clean rather than sharp. Proportions are balanced and upright in structure despite the oblique posture, producing consistent counters and a steady rhythm; numerals and capitals read as compact and engineered, while lowercase forms remain open and functional.
Works well for user interfaces, product labeling, and dashboards where a crisp, contemporary sans is needed with a bit of motion and friendliness. The even stroke weight and rounded geometry also make it suitable for navigation, informational graphics, and concise editorial or marketing headlines that benefit from a modern oblique voice.
The overall tone feels modern and matter-of-fact, with a subtle sense of speed from the slant. Rounded geometry softens the voice just enough to feel approachable without turning playful, lending a contemporary, technical calm that suits interface and product contexts.
Designed to deliver a contemporary sans-serif system with engineered, rounded geometry and a consistent oblique stance. The intent appears to balance neutrality and clarity with a subtle dynamic feel, offering a streamlined texture for modern digital and product-oriented typography.
The oblique angle is consistent across caps, lowercase, and figures, giving lines of text a cohesive forward motion. Round characters (like O/0-style forms) lean toward superelliptical shaping rather than perfect circles, and apertures stay relatively open for clarity at smaller sizes.