Sans Superellipse Hakud 2 is a bold, normal width, monoline, upright, normal x-height font visually similar to 'Military Jr34' by Casloop Studio, 'Midsole' by Grype, 'Charles Wright' by K-Type, and 'B52' by Komet & Flicker (names referenced only for comparison).
Keywords: headlines, logos, posters, interfaces, signage, tech, industrial, sporty, futuristic, confident, modernize, signal tech, maximize impact, systemic cohesion, rounded, squared, geometric, stencil-like, modular.
A heavy geometric sans with rounded-rectangle construction and softened corners throughout. Strokes are consistently thick with minimal contrast, and terminals tend to be flat and squared-off, producing a compact, engineered rhythm. Counters are squarish and open, with generous apertures in letters like c, e, and s, while round characters (o, 0) read as superelliptical rectangles rather than true circles. The lowercase shows single-storey a and g, a short-armed r, and a sturdy, utilitarian s; numerals are wide and blocky with the 0 rendered as a rounded rectangle and the 1 as a simple vertical form.
Best suited to display use where its blocky, rounded-square forms can project impact—headlines, branding marks, packaging callouts, and posters. It can also work for UI titles, dashboards, and wayfinding or technical signage where a sturdy, engineered look is desirable.
The overall tone is modern and mechanical, with a strong “hardware/interface” feel. Its rounded-square geometry gives it a friendly edge, but the dense weight and squared shaping keep the impression authoritative and performance-driven.
The design appears intended to translate rounded-rectangle geometry into a practical, high-impact sans for contemporary digital and industrial aesthetics. It prioritizes bold presence, consistent modular shapes, and clear silhouettes over traditional humanist nuance.
Distinctive details include the squared bowls on B/D/P/R, the angular diagonals on K/V/W/X/Y, and a Q that adds a short diagonal tail. The design maintains a consistent corner radius across glyphs, reinforcing a modular, system-like cohesion in text settings.