Sans Superellipse Ugriz 3 is a very bold, narrow, low contrast, italic, tall x-height font visually similar to '403 Quzie' by 403TF (names referenced only for comparison).
Keywords: sports branding, posters, headlines, apparel, packaging, sporty, urgent, muscular, dynamic, industrial, compact impact, speed emphasis, headline punch, logo strength, athletic tone, condensed, slanted, oblique, blocky, rounded corners.
A heavy, right-slanted sans with compact proportions and a tightly packed rhythm. Strokes are broadly monolinear, with corners frequently softened into squarish rounds, giving bowls and counters a superelliptical feel. Terminals tend to be blunt and slightly chamfered, and the shapes lean into angular construction rather than smooth calligraphic curves. Counters are relatively small for the weight, and the overall texture reads as dense and forceful, with capitals and numerals sharing a consistent, poster-oriented massing.
Best suited to short, high-impact text such as sports identities, event posters, merch graphics, and packaging callouts where a dense, energetic voice is desired. It can also work for bold UI labels or navigational emphasis when set with generous size and spacing, but it is primarily a display face rather than a comfortable long-text option.
The font projects speed and impact: a forward-leaning, high-energy tone that feels at home in competitive, mechanical, and action-oriented settings. Its compact heft suggests toughness and urgency, trading refinement for punch and momentum.
The design appears intended to deliver maximum impact in minimal width, combining a pronounced forward slant with blocky, rounded-rect geometry to create a fast, aggressive display voice. Its simplified, low-contrast construction prioritizes reproducible silhouettes and strong headline presence over delicate detail.
The slant is strong enough to function as a built-in emphasis, and the condensed width increases perceived speed while keeping headlines compact. Rounded-rectangular interior spaces (notably in letters like O/Q and numerals) help keep the black shape cohesive at large sizes, while the small apertures can close up in smaller reproduction.