Sans Other Ifti 3 is a very bold, narrow, low contrast, italic, normal x-height font visually similar to 'Cairoli Classic' and 'Cairoli Now' by Italiantype (names referenced only for comparison).
Keywords: headlines, posters, sports branding, packaging, logotypes, energetic, aggressive, retro, sporty, industrial, impact, speed, signage, branding, display, oblique, angular, faceted, compressed, blocky.
A heavy, obliqued sans with sharply faceted contours and clipped corners throughout. Strokes are broadly uniform, producing a dense, blocky texture with minimal modulation, while the letterforms lean forward with a consistent rightward slant. Counters are tight and often polygonal, and terminals tend to finish in angled cuts that create a chiselled, mechanical feel. The overall rhythm is compact and punchy, with sturdy verticals and simplified curves that read as engineered shapes rather than calligraphic forms.
This font is best suited to display applications where impact and motion are desirable: headlines, posters, sports or motorsport-style branding, packaging panels, and compact logotypes. It also works well for short emphatic phrases and titling where the angular cuts and forward slant can carry the visual identity without requiring extended reading.
The design projects speed and impact, combining a hard-edged, utilitarian attitude with a distinctly retro display flavor. Its forward slant and sharp geometry give it a competitive, action-oriented tone that feels at home in high-energy branding and bold headlines.
The likely intention is to deliver a bold, speed-inflected display sans that feels mechanical and cut from solid material, prioritizing strong silhouettes and immediate recognition. The faceted construction and compressed rhythm suggest a focus on high-impact communication and branding-driven typography rather than neutral text setting.
The uppercase has a strong, poster-like presence, while the lowercase stays similarly angular and compact, keeping texture consistent in mixed-case settings. Numerals match the same cut-corner construction, reinforcing a cohesive, sign-like voice across alphanumerics. At smaller sizes the tight apertures and dense forms may feel crowded, but at display scales the distinctive facets become a defining feature.