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Free for Commercial Use

Sans Superellipse Etnik 6 is a very bold, very narrow, low contrast, italic, tall x-height font visually similar to 'Refinery' by Kimmy Design, 'Kuunari' and 'Kuunari Rounded' by Melvastype, 'Grand' by North Type, 'Hype vol 3' by Positype, and 'Entropia' by Slava Antipov (names referenced only for comparison).

Keywords: headlines, posters, sports branding, packaging, signage, sporty, urgent, punchy, modern, compact, space saving, attention grabbing, high impact, dynamic tone, modern geometry, condensed, oblique, rounded, blocky, heavyweight.


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A compact, oblique sans with tightly packed proportions and a forceful, poster-ready color. Curves and counters lean toward rounded-rectangle shaping, giving bowls and terminals a softened, superelliptical feel rather than perfect circles. Strokes stay largely uniform, with blunt joins and squared-off ends that keep letterforms sturdy and legible at speed. The rhythm is dense and vertical, with narrow widths, a tall lowercase profile, and simplified shapes that emphasize clarity and impact over finesse.

This font performs best in short, high-impact settings such as headlines, posters, athletic or esports branding, and promotional graphics where a condensed footprint and strong presence are useful. It can also work for packaging callouts and signage that benefits from an oblique, high-energy tone. For longer passages, it is likely most effective in larger sizes where the dense width and heavy color can breathe.

The overall tone is energetic and assertive, with a sporty, action-forward feel. Its compressed stance and strong slant suggest motion and urgency, making it feel well suited to attention-grabbing messaging. The rounded squareness adds a contemporary, engineered character—more performance-driven than friendly.

The design appears intended to deliver maximum impact in minimal horizontal space, combining a strong oblique stance with rounded-rectilinear geometry for a modern, performance-oriented look. It prioritizes consistent, sturdy construction and quick recognition, aiming for a confident display voice that reads as fast and decisive.

Uppercase forms read as sturdy and geometric, while the lowercase maintains the same compact momentum with minimal flourish. Numerals match the heavy, condensed build and remain clear in small groups, supporting scoreboard-like or headline numeric use. The italic angle is consistent and deliberate, helping long lines keep a fast, forward cadence without becoming overly decorative.

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Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
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Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸