Hollow Other Elba 11 is a bold, narrow, high contrast, upright, normal x-height font.
Keywords: headlines, posters, logos, packaging, signage, playful, retro, crafty, friendly, quirky, novelty display, signage feel, brand character, decorative texture, rounded, bubbly, chunky, cutout, handmade.
A condensed, rounded display face with heavy strokes and frequent internal knockouts that read like carved or inlaid highlights rather than traditional counters. The outlines are smooth and bulbous with softened terminals, while many letters include slender vertical slots or teardrop-shaped cut-ins that create a lively, hollowed texture. Curves are generous and slightly irregular in rhythm, giving the set a hand-shaped feel, and joins tend to be thick and pillowy rather than sharp. Uppercase forms are compact and sturdy; lowercase remains simple and upright with single-storey shapes and minimal modulation beyond the cutouts.
Well-suited for headlines and short-form display typography in posters, event graphics, and storefront-style signage. The decorative cutouts also work nicely for logo marks and packaging where a bold, characterful wordmark is needed. In longer passages, it performs better as an accent font (pull quotes, section headers) than as continuous text.
The overall tone is upbeat and whimsical, evoking mid-century signage, novelty packaging, and playful branding. The cutout details add a crafty, decorative sparkle that feels theatrical and a bit mischievous while staying friendly and approachable.
The design appears intended to deliver a compact, attention-grabbing display voice built around rounded forms and unusual internal cutouts, creating a recognizable silhouette and a sense of dimensional, carved-in detailing. The goal seems to be maximum personality and instant brand recognition rather than neutrality or text-first readability.
The distinctive internal knockouts become a primary identifying feature, adding pattern and personality even in short words. Because the letterforms are condensed and highly stylized, the face reads best when given breathing room and used at display sizes where the cut-in details stay crisp.