Sans Contrasted Mamo 3 is a bold, very wide, high contrast, upright, tall x-height font.
Keywords: logos, headlines, posters, gaming, film titles, futuristic, techno, sci-fi, space-age, display, sci-fi branding, tech interface, impactful display, distinctive identity, speed aesthetic, geometric, stencil-like, inline cuts, rounded, extended.
An extended geometric sans with rounded bowls and squared-off terminals, built from broad horizontal strokes that are frequently interrupted by thin inline cut-ins. Many round letters (O, C, G, Q, a, e, o) carry a consistent horizontal “belt” that reads like a slit through the middle, while verticals are comparatively slimmer, creating a crisp, engineered rhythm. Curves are smooth and near-monoline in feel until they meet abrupt breaks and chamfered joins, especially in diagonals and pointed forms. Uppercase construction is compact and stylized—M, N, V, W, X, and Y use sharp internal wedges and segmented strokes—while the lowercase stays highly geometric with single-storey forms and wide apertures. Figures are similarly streamlined, with 0 and 8 emphasizing the central split and other numerals adopting flat, fast-looking cuts.
Best suited to logos, short headlines, posters, and branding that benefits from a futuristic or industrial voice. It works particularly well in gaming, tech products, esports, album/film titling, and UI-style hero graphics where the inline cuts become a recognizable motif. For long passages, the midline breaks and wide footprint will be most comfortable at larger sizes with generous spacing.
The repeated midline slits and segmented joins evoke industrial design, sci-fi interfaces, and racing-inspired graphics. The tone is sleek and synthetic, projecting speed, precision, and a slightly aggressive edge without becoming ornamental. Overall it feels contemporary and tech-forward, with a distinctive “engineered” signature.
The font appears designed to deliver a bold, engineered sci-fi look by combining wide geometric skeletons with consistent horizontal incisions and sharp internal wedges. Its intention is to stand out quickly, reading as a modern display sans with a strong identity rather than an everyday workhorse.
The design language is very consistent across rounds and counters, making the inline breaks feel systematic rather than decorative. Some glyphs intentionally lean into angular fragmentation (notably V/W/X/Y and the tail on Q), which increases visual character but also makes the face read more like a display font than a neutral text sans.