Sans Superellipse Fylun 11 is a very bold, wide, low contrast, italic, tall x-height font.
Keywords: headlines, logos, sports branding, posters, packaging, sporty, futuristic, playful, assertive, techy, impact, motion, modernity, approachability, brand texture, rounded, chunky, soft corners, slanted, geometric.
A heavy, right-slanted sans with rounded-rectangle construction and generously softened corners. Strokes are uniform and chunky, with broad counters and large apertures that keep the forms open despite the density. Curves tend to resolve into squarish superellipse bowls, while diagonals and joins are crisp, creating a lively mix of soft outer contours and sharp internal geometry. Proportions favor a big x-height and compact ascenders/descenders, and widths vary by character, giving the line a dynamic rhythm. Numerals follow the same rounded, sturdy logic, with clean, simplified shapes and strong horizontal emphasis in several forms.
Best suited to bold headlines, brand marks, and short UI or marketing phrases where speed and impact are priorities. The rounded-square geometry and strong slant work especially well for sports identities, tech-forward branding, posters, and packaging that needs a confident, contemporary voice.
The overall tone is energetic and modern, blending a sporty, action-forward slant with friendly rounded corners. It feels built for impact and motion—confident, slightly futuristic, and attention-grabbing—without becoming harsh thanks to its softened geometry.
The letterforms suggest an intention to deliver maximum visual punch while staying approachable: a compact, heavy, slanted sans built from rounded-rectangular primitives to communicate motion, modernity, and durability. The variable character widths and squared curves appear aimed at creating a distinctive, branded texture rather than a neutral text rhythm.
The design relies on superelliptical bowls and squared-off terminals, which gives it a distinctly engineered look. The slant is consistent across uppercase, lowercase, and figures, and the heavy weight produces strong silhouette recognition at display sizes. Spacing appears generous enough for short bursts of text, but the density and slant make it feel most natural as a headline or branding face rather than long reading.