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Free for Commercial Use

Sans Contrasted Tamug 3 is a very bold, wide, medium contrast, upright, normal x-height font visually similar to 'Arzachel' by CAST, 'FS Irwin' by Fontsmith, 'Mestiza Sans' by Lechuga Type, 'Foreday Semi Sans' by Monotype, and 'Organic Pro' by Positype (names referenced only for comparison).

Keywords: headlines, posters, packaging, kids media, logos, playful, chunky, friendly, quirky, lively, display impact, friendly branding, playful voice, informal charm, rounded, bouncy, soft terminals, informal, cartoonish.


Free for commercial use
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A heavy, rounded sans with broad proportions and a distinctly “bouncy” rhythm. Strokes are thick with noticeable contrast created by subtle swelling and tapering, plus slightly irregular curvature that makes counters and bowls feel organic rather than geometric. Terminals are generally soft and blunt, with occasional wedge-like endings that add snap to joins and diagonals. Overall spacing reads open for such a dark face, helping the dense silhouettes stay readable in short lines and display settings.

Best suited for headlines, posters, and other short, prominent text where personality matters more than neutrality. It fits playful branding, food and beverage packaging, event promos, children’s or family-oriented communications, and logo/wordmark work that benefits from a bold, friendly voice. For longer reading, it will be most effective in brief callouts or subheads.

The tone is upbeat and approachable, with a hand-cut, poster-like energy. Its uneven, buoyant shapes suggest humor and friendliness rather than precision, giving text a casual, animated presence. The bold color and soft corners keep it inviting, even when set large and loud.

The design appears intended as a high-impact display sans that feels warm and humorous, combining strong weight with softened, irregular shaping to create a distinctive, approachable signature in large sizes.

Round letters show generous counters (notably in forms like O, e, and 8), while diagonals and joins carry a slightly chiseled feel that prevents the design from becoming purely blobby. Numerals appear sturdy and attention-grabbing, matching the letterforms’ playful weight and curvature.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸