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Free for Commercial Use

Sans Normal Osbof 1 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Novel Display' by Atlas Font Foundry, 'Linotype Aroma No. 2' by Linotype, 'Niko' by Ludwig Type, 'Adagio Sans' by Machalski, 'Akagi' and 'Akagi Pro' by Positype, 'Alinea Sans' by Présence Typo, and 'Acorde' by Willerstorfer (names referenced only for comparison).

Keywords: headlines, posters, branding, packaging, signage, friendly, playful, punchy, retro, approachable, impact, friendliness, display clarity, retro flavor, brand emphasis, rounded, soft corners, sturdy, compact, bouncy.


Free for commercial use
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This typeface is a heavy, rounded sans with soft corners and broad, sturdy strokes. Curves are generously circular (notably in C, O, G, and lowercase bowls), while terminals tend to finish bluntly, giving the design a compact, poster-like mass. Counters are moderate and slightly tightened by the weight, producing a dense texture that still reads cleanly at display sizes. The lowercase shows simplified construction with single-storey forms (e.g., a and g), a rounded i/j dot, and a generally upbeat, slightly bouncy rhythm across lines.

This font is well suited to short, high-impact text such as headlines, posters, logos, packaging callouts, and bold signage where its rounded heft can carry at a glance. It can also work for subheads and short captions when a friendly, energetic emphasis is desired, though the dense weight favors larger sizes over long reading.

The overall tone is bold and approachable, with a warm, informal character that feels more playful than corporate. Its rounded geometry and chunky presence suggest a retro-leaning, fun-forward voice suited to attention-grabbing messaging.

The design appears intended to provide a confident, highly legible display voice built from simple rounded forms, prioritizing friendliness and visual punch. Its consistent, sturdy shapes aim to deliver a strong silhouette and an inviting personality for branding and promotional typography.

Diagonal letters (K, V, W, X, Y) keep strong, straightforward joins without sharp, spiky detailing, which helps maintain the soft, friendly silhouette. Numerals are equally weighty and simple, designed to hold up in big, high-impact settings alongside the letters.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸