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Serif Normal Nybeh 8 is a bold, wide, high contrast, upright, normal x-height font visually similar to 'Bogue Slab' by Melvastype, 'Cotford' by Monotype, 'Elgraine' and 'Fedro' by Nasir Udin, and 'Bogart' by Zetafonts (names referenced only for comparison).

Keywords: headlines, editorial, book text, posters, packaging, classic, authoritative, literary, traditional, readability, authority, heritage, editorial tone, impact, bracketed, beaked, crisp, sturdy, calligraphic.


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A robust serif with pronounced stroke contrast, strong vertical stress, and clearly bracketed wedge-like serifs. Curves are full and slightly condensed at joins, giving counters a compact, sturdy feel, while terminals often show subtle beaks and tapered finishing. The uppercase is stately and even, with broad, stable forms; the lowercase maintains a conventional structure with a two-storey “a” and “g,” a compact “e,” and a straightforward, readable rhythm. Numerals are weighty and old-style in feel, with rounded bowls and confident strokes that match the text weight.

Well suited to headlines and subheads where a strong, classic serif presence is needed, and it also holds together in short-to-medium passages of text thanks to its conventional proportions and steady rhythm. It can work effectively for editorial layouts, book typography, and heritage-leaning branding or packaging that benefits from a traditional, confident typographic voice.

The overall tone is traditional and authoritative, evoking bookish, institutional, and newspaper-editorial settings. Its hefty color and emphatic serifs lend a confident, declarative voice that feels established rather than experimental.

The design appears intended as a conventional text serif with amplified weight and contrast for impact, aiming to balance strong display presence with familiar reading forms. Its bracketing, beaked terminals, and sturdy construction suggest a focus on timeless readability with an assertive editorial tone.

Spacing appears moderately generous for a serif this heavy, helping the texture stay readable in paragraphs. The design keeps details crisp at larger sizes—especially in capitals—while the lowercase retains a slightly calligraphic liveliness in curves and terminals.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸