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Free for Commercial Use

Sans Normal Kymek 7 is a very bold, normal width, low contrast, italic, normal x-height font visually similar to 'FF Good' and 'FF Zwo' by FontFont, 'Akwe Pro' by ROHH, 'June Pro' by Schriftlabor, 'Knedle' by Sudetype, 'Mestre' by Tipotecture, and 'Merlo Neue' by Typoforge Studio (names referenced only for comparison).

Keywords: headlines, posters, branding, packaging, signage, friendly, energetic, sporty, playful, punchy, impact, approachability, momentum, display clarity, casual tone, rounded, soft corners, bulky, oblique, compact.


Free for commercial use
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This typeface is a heavy, oblique sans with rounded, softened terminals and a compact, sturdy build. Curves are broad and circular (notably in O/C/G), while joins and corners are gently eased rather than sharp. The strokes remain consistently thick, producing a solid, poster-like color, and counters are relatively tight, especially in letters like a/e/s. Uppercase forms are wide and simple with minimal articulation; lowercase is single-story where applicable, with a robust, slightly bouncy rhythm. Numerals are bold and straightforward, with rounded bowls and minimal contrast.

Best suited for short, high-impact settings such as headlines, posters, bold branding, packaging, and attention-grabbing signage. It can also work for expressive UI labels or social graphics where a friendly, energetic voice is needed, while extended text may feel dense due to the heavy strokes and tight counters.

The overall tone is upbeat and approachable, combining a sporty forward slant with soft, rounded details. It feels informal and confident, suited to contexts that want impact without aggression.

The design appears intended to deliver a strong, readable presence with a forward, dynamic stance, while keeping the texture friendly through rounded terminals and simplified shapes. It aims for immediate legibility and a contemporary, casual personality.

The oblique angle is consistent across cases, and the design favors large internal shapes and simplified construction over delicate detail. Some glyphs show subtle, functional asymmetries (e.g., S and G) that add motion and prevent the heavy weight from feeling rigid.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸