Slab Unbracketed Ogla 2 is a very bold, very narrow, low contrast, upright, tall x-height font visually similar to 'High Intensity' by BA Graphics, 'Rama Slab' by Dharma Type, 'Akkordeon Slab' by Emtype Foundry, 'Lehmann Egyptian' by ParaType, 'Gravtrac' by Typodermic, and 'Winner' by sportsfonts (names referenced only for comparison).
Keywords: headlines, posters, branding, packaging, signage, western, circus, vintage, poster, rugged, attention, heritage, impact, character, blocky, condensed, stencil-like, notched, ink-trap.
A condensed, heavyweight slab-serif with square, unbracketed terminals and a distinctly carved silhouette. Strokes are largely uniform, but many joins and corners show sharp notches and small cut-ins that read like ink traps or chiseled facets, giving the letters a rugged, stamped feel. Counters are compact and often vertically oriented, and the overall rhythm is tall and tightly packed, optimized for strong vertical presence. Numerals and capitals share the same blunt, geometric structure, with consistent serif blocks and angular internal shaping.
Best suited to short display settings such as headlines, posters, labels, and prominent signage where its condensed width and heavy slabs can command attention. It can also work for branding and packaging that aims for a vintage or Western tone, especially when set large enough for the notched detailing to remain crisp.
The font evokes old-time display lettering associated with Western posters, circus bills, and vintage advertising. Its sharp notches and dense weight create a tough, assertive tone that feels handcrafted and slightly industrial. The overall impression is bold, theatrical, and attention-seeking rather than refined.
The design appears intended as a high-impact display slab that combines condensed proportions with decorative, carved detailing. Its geometry and squared serifs emphasize solidity, while the notches introduce character and a retro showbill sensibility for expressive titles.
The faceted cut-ins around joints and terminals add texture that can read as distressed or engraved at larger sizes. In longer lines, the tight proportions and heavy color produce a strong typographic “wall,” making spacing and size choices important for clarity.