Sans Superellipse Juba 14 is a very bold, narrow, medium contrast, italic, tall x-height font visually similar to 'Hyper Super' by Bisou and 'Address Sans Pro' by Sudtipos (names referenced only for comparison).
Keywords: sports branding, headlines, posters, apparel, packaging, sporty, aggressive, dynamic, industrial, retro, impact, speed, compactness, branding, energy, slanted, condensed, blocky, rounded corners, sheared cuts.
A condensed, slanted sans with heavy, tightly packed strokes and rounded-rectangle construction. Forms are built from compact superelliptical counters and softened outer corners, giving the letters a sturdy, machined silhouette. Many glyphs feature sharp, angled terminals and distinctive inline breaks or “speed” notches that cut through bowls and stems, creating a segmented, high-impact rhythm. Uppercase and lowercase share a consistent forward lean and robust proportions, with compact apertures and minimal interior whitespace at display sizes.
Best suited to headlines, logos, team and esports identities, event graphics, and apparel where the slant and cut-in accents can amplify motion and impact. It also works well on packaging and promotional materials that benefit from a bold, industrial voice, especially at medium to large sizes.
The overall tone is fast, assertive, and performance-driven, with a motorsport/athletics feel. The cut-in details add a tactical, engineered attitude that reads as energetic and slightly retro-futuristic rather than neutral.
The design appears intended to deliver maximum punch in limited horizontal space while projecting speed and strength. The consistent rounded-rectangle skeleton paired with repeated internal notches suggests a deliberate branding device meant to read as kinetic and engineered across both text and titling.
Numerals and rounded letters (such as O/0 and related shapes) lean strongly into pill-like geometry, while straight-sided letters maintain a squared, compressed stance. The recurring internal slashes create strong brandable signatures, but they also make small-size text feel busier than a conventional sans.